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A Prince ought to have no other aim or thought, nor select anything else for his study, than war and its rules and discipline; for this is the sole art that belongs to him who rules, and it is of such force that it not only upholds those who are born princes, but it often enables men to rise from a private station to that rank. And, on the contrary, it is seen that when princes have thought more of ease than of arms they have lost their states. And the first cause of your losing it is to neglect this art; and what enables you to acquire a state is to be master of the art. Francesco Sforza, through being martial, from a private person became Duke of Milan; and the sons, through avoiding the hardships and troubles of arms, from dukes became private persons. For among other evils which being unarmed brings you, it causes you to be despised, and this is one of those ignominies against which a prince ought to guard himself, as is shown later on. Because there is nothing proportionate between the armed and the unarmed; and it is not reasonable that he who is armed should yield obedience willingly to him who is unarmed, or that the unarmed man should be secure among armed servants. Because, there being in the one disdain and in the other suspicion, it is not possible for them to work well together. And therefore a prince who does not understand the art of war, over and above the other misfortunes already mentioned, cannot be respected by his soldiers, nor can he rely on them. He ought never, therefore, to have out of his thoughts this subject of war, and in peace he should addict himself more to its exercise than in war; this he can do in two ways, the one by action, the other by study.
Contents
- The Renaissance: An Overview
- Renaissance Art and Science
- Church Corruption
- The Great Plague
- Christian Humanism
- Rise of National Monarchies
- Dante and the Italian Communes
- Church Corruption and the Conciliar Movement
- Medieval and Renaissance Art and Architecture
- The Copernican Revolution
- The Newtonian Cosmos
- Roger Bacon: “On Experimental Science” Year: 1268
- Giovanni Boccaccio: The Decameron Year: 1350–1353
- Petrarch: Letter to Lapo de Castiglionchio Year: 1351
- Petrarch: Letter to Francesco Nelli Year: 1360
- Petrus Paulus Vergerius: “Concerning Liberal Studies” Year: ca. 1400
- Christine de Pisan: The Treasure of the City of Ladies Year: ca. 1405
- Leon Alberti: On Painting Year: 1435
- Vespasiano da Bisticci: Portrait of Cosimo de’ Medici Year: ca. 1460
- Giovanni Pico della Mirandola: Oration on the Dignity of Man Year: 1486
- The Croyland Chronicle: Battle of Bosworth Field Year: 1486
- Surrender Treaty of the Kingdom of Granada Year: 1491
- Alhambra Decree Year: 1492
- Privileges and Prerogatives Granted by Their Catholic Majesties to Christopher Columbus Year: 1492
- Christopher Columbus: Letter to Raphael Sanxis on the Discovery of America Year: 1493
- A Journal of the First Voyage of Vasco da Gama Year: 1497–1498
- Desiderius Erasmus: The Praise of Folly Year: 1509
- Niccoló Machiavelli: The Prince Year: 1513
- Nicolaus Copernicus: On the Revolutions of the Celestial Spheres Year: 1543
- Giorgio Vasari: “Leonardo da Vinci, Florentine Painter and Sculptor” Year: 1550
- Michel de Montaigne: “Of the Education of Children” Year: 1579–1580
- Galileo Galilei: Starry Messenger Year: 1610
- Letter of Cardinal Bellarmine to Paolo Antonio Foscarini concerning Galileo’s Theories Year: 1615
- Isaac Newton: The Mathematical Principles of Natural Philosophy Year: 1687